Editing Storyboard

Shot/Editing:	Length of time:	Music or sound:	Why we did this…
Fade in to first credit of white text with black background.	2-4 seconds long.	Non-diegetic music/beat.	To show the production team and to add and build up suspense and mystery.
Shot from the inside of the moving vehicle filming outside the passenger seat.	2-4 seconds long.	Non-diegetic music/beat.	Give the audience a little understanding that someone’s driving a car somewhere along with the non-diegetic music which creates mystery and suspense.
Fade in to the second credit/title –white text and black background.	2-4 seconds long.	Non-diegetic music/beat.	To show the production team and to add and build up suspense and mystery.
Shot of the rear window inside the car showing the driver’s face whilst driving.	2-4 seconds long.	Non-diegetic music/beat.	To show the audience the main character in the thriller who will appear throughout the film and have an effect in it. But due to the short time and no dialogue of idea who is he and where is he going builds mystery and suspense.
Fade in to black background where the film production or distribution title will appear in white.	2-4 seconds long.	Non-diegetic music/beat.	To show the production team involved in producing and distributing the film and to add and build up suspense and mystery.
Shots through the passenger and main window as the driver are driving.	8-12 seconds long with cuts in between and appearance of actor’s names (bottom left hand-side).	Non-diegetic music/beat.	Shows a sense of place and location for the audience, especially of the view of the Wembley Stadium.
Black	2-3 seconds long.	Silent.	Creates suspense and tension of why did it just go black and what will happen next?
Inside the warehouse of the two robbers (disguised in monkey masks and armed with a crow bar and a small axe) breaking into the compound.	4-7 seconds long.	Non-diegetic music/beat, diegetic sound along with the diegetic sound of the alarm going off.	The audience understand what is happening in the film and the music and sound creates tension and the alarm going off sound creates a fast pace.
A wide shot of the driver in the car driving up to the location and turning around waiting for the robbers to come out. (We used a jump cut in the scene when the car makes a U-turn as this built up the pace of the film).	4-7 seconds long.	Non-diegetic music/beat with lower volume sound of the alarm bell.	This is where the audience understands that the driver has a connection to the robbers.
Shot inside of the compound of the robbers with the bag of jewellery escaping the compound.	3-5 seconds long.	Non-diegetic music/beat with higher volume sound of the alarm bell.	Builds up tension and anticipation of the robbers escaping.
A panning wide shot of the robbers leaving and running to the car which then drives off.	6-9 seconds long.	Non-diegetic music/beat with lower volume sound of the alarm bell as well as diegetic sound of the car driving off, the door closing and the robbers yelling “let’s go, go!” and police radio.
Into black with Primate title shown.	2-5 seconds long.	Alarm bell with police radio in conversation.